Friday, May 31, 2013

Unity Statement and Defense for Icarus's Mother


Unity Statement

To speculate in order to maintain stability by means of frivolity and seriousness in a time of distress

 

Unity Defense
The statement above reflects my point of view on what Icarus’s Mother encompasses: seeking stability in a time of distress (a state of danger or desperate need). All of the characters want to be stable (unchanged; not subject to insecurity). They all speculate on different matters in order to feel stable. For instance, they speculate on why the jet is flying above them. Even when considering taking a walk, they speculate and worry about what will happen.

Frivolity and seriousness are ever-present when the characters are trying to maintain stability. They first speculate why a jet is there and try communicating with the pilot in a frivolous manner, hollering at him. Then, the characters start teasing about wanting to walk to the beach. The serious aspects of trying to maintain stability includes the monologues of Howard, Pat, and Frank. Howard describes being in a plane cockpit, Pat describes her love for fireworks, and Frank describes the fireworks and jet crash. On a frivolous note, the girls attempt to pee on the beach as well as entertain the jet pilot. Bill and Howard’s smoke signaling is also a point of frivolity.

Distress is an underlying feeling in Icarus’s Mother. First, the five characters seem to be in constant social distress with the taunting and the separation. Furthermore, there is the sense of an impending disaster with the jet crash, crowd sounds, and holding hands. I have chosen to implement the sense of distress and uneasiness into the set design. Multiple levels and slopes are incorporated to bring these feelings to life. They create opportunity for dynamic movement as well. Also, the uniqueness of the blanket, grass, and sand textures signify that something is not quite right in the play.

Thursday, May 30, 2013

Cast for Icarus's Mother

Pat – Jessica Hodges
I chose Jessica to play the role of Pat because I felt that she could epitomize optimism and would easily fit into the victim role because of her ability to act cute and fragile but try to defend herself.

Jill – Megan Barker
Megan would be a good Jill because she could be big sisterly and mildly tease Pat but yet defend and comfort her when others are teasing her.

Howard – Adam DeVine
As seen in the movie Pitch Perfect, Adam can play the role of the “jerk” like Howard pretty well. He does it with humor so the audience gets a sense of lightness, which makes one feel uneasy.

Bill – Jordan Breckenridge
Jordan would be a good sidekick to Adam because he can also play the guy with two sides: seemingly sincere and honest but actually a trickster.

Frank – Blake Tierney
Blake could play Frank well because he is sweet and goofy/dorky and likes to bring everybody together, which is Frank’s underlying goal.

Light Collage for Icarus's Mother


Tuesday, May 28, 2013

Icarus's Mother Light Cues

# PAGE EXECUTION TIME FUNCTION
LQ1 30 5 BEFORE HOUSE OPENS :05 PRESET
HH 30 HOUSE IN :05 HOUSE LIGHTS TO HALF
HO & LQ2 30 HOUSE AT HALF  :05 HOUSE AND PRESET OUT
:07
LQ3 45 "And we'll stay and wait for it to get dark." :05 FADE LIGHTS
LQ4 48 JILL AND PAT EXIT :05 CHANGE CYC
LQ5 57 "If only the weather and the atmospheric conditions had been better than they were it would have beaten the Hindenburg by far more than it did." :05 CHANGE CYC AND DIM LIGHTS 
LQ6 57 "What a light!" :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ7 57 "And to come to a standstill." :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ8 58 "And it pulls your head straight up off your shoulders in a straight line with the parallel lines of each leg and so each tendon leading to your jawbone strains to its utmost." :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ9 58 "Going beyond itself with the pilot screaming and the clouds breaking up." :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ10 59 "Going on and on till the community comes out to see for itself." :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ11 59 "And their mothers hold their fathers with their mouths open and the light pouring in and their cats running for cover." :03 FLASH ORANGE, BLUE, THEN YELLOW LIGHTS 
LQ12 60 HOWARD AND BILL HOLD HANDS :05 CHANGE OVERALL WASH TO RED
LQ13 60 JILL EXITS :08 DIM LIGHTS 
LQ14 60 CURTAIN CALL :05 LIGHTS AT FULL
LQ15 60 AUDIENCE EXITS :05 HOUSE AT FULL