| SEMINAR COSTUME PLOT | |||||||||
| SCENE | |||||||||
| CHARACTER | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| Douglas | grey blazer, green pullover sweater, white button down shirt, white undershirt, grey slacks, grey loafers, watch | take away blazer | take away sweater, add grey sweater vest | take away vest | |||||
| Martin | black and white shirt jacket, teal t-shirt, jeans, black boxers, black Converses | take away black and white shirt jacket, add black cardigan | take away cardigan, jeans and shoes | add jeans and shoes | |||||
| Kate | black and white sweater, newspaper shirt, black cami, jeans, black boots, glasses, necklaces | take away sweater | take away shirt, jeans, necklaces and glasses, add purple dress, black leggings and purple earrings | take away leggings and boots, add black flats | Leonard's orange shirt, underwear, dress, flats, necklaces | ||||
| Izzy | pink fitted blazer, white cowl neck blouse, nude cami, black slacks, black and white heels | take away blazer | Martin's black cardigan, pink camisole, pink and zebra print boy shorts underwear | white cowl neck blouse, nude cami, pink skirt, pink boy shorts underwear, black and white heels | |||||
| Leonard | brown corduroy blazer, brown scarf, orange button down shirt, jeans, brown boots, glasses, watch | brown corduroy blazer, brown scarf, orange button down shirt, jeans, brown boots, watch | take away blazer and brown scarf, add cargo vest | take away vest | navy robe, plaid boxers, black slippers | ||||
Friday, April 25, 2014
Costume Plot for Seminar
Tuesday, April 8, 2014
Thursday, April 3, 2014
Tuesday, October 29, 2013
Costumes for Nine
For the Nine
costumes, I wanted to display the contrast between the two characters and make
them look like your average women. This situation could happen to anyone,
literally or figuratively. Number 2 is similar to the spunky younger sister
type, so I chose bright colors and an uneven skirt. Considering Number 1 seems
to have been locked up longer plus her fate, she is in a more mature outfit
(but still spunky in pattern), which includes red. Distressing the clothing and
making their skin dirty are requirements because they have been tortured and
where they are is not sanitary.
Kasey Hodges
Thursday, August 22, 2013
Friday, May 31, 2013
Unity Statement and Defense for Icarus's Mother
Unity Statement
To speculate in order to maintain stability by
means of frivolity and seriousness in a time of distress
Unity Defense
The statement
above reflects my point of view on what Icarus’s
Mother encompasses: seeking stability in a time of distress (a state of
danger or desperate need). All of the characters want to be stable (unchanged; not
subject to insecurity). They all speculate on different matters in order to
feel stable. For instance, they speculate on why the jet is flying above them. Even
when considering taking a walk, they speculate and worry about what will
happen.
Frivolity and
seriousness are ever-present when the characters are trying to maintain
stability. They first speculate why a jet is there and try communicating with
the pilot in a frivolous manner, hollering at him. Then, the characters start
teasing about wanting to walk to the beach. The serious aspects of trying to maintain
stability includes the monologues of Howard, Pat, and Frank. Howard describes
being in a plane cockpit, Pat describes her love for fireworks, and Frank
describes the fireworks and jet crash. On a frivolous note, the girls attempt
to pee on the beach as well as entertain the jet pilot. Bill and Howard’s smoke
signaling is also a point of frivolity.
Distress is an underlying
feeling in Icarus’s Mother. First, the
five characters seem to be in constant social distress with the taunting and
the separation. Furthermore, there is the sense of an impending disaster with
the jet crash, crowd sounds, and holding hands. I have chosen to implement the
sense of distress and uneasiness into the set design. Multiple levels and
slopes are incorporated to bring these feelings to life. They create opportunity
for dynamic movement as well. Also, the uniqueness of the blanket, grass, and
sand textures signify that something is not quite right in the play.
Thursday, May 30, 2013
Cast for Icarus's Mother
Pat – Jessica Hodges
I chose Jessica to play the role of Pat because I felt that
she could epitomize optimism and would easily fit into the victim role because
of her ability to act cute and fragile but try to defend herself.
Jill – Megan Barker
Megan would be a good Jill because she could be big sisterly
and mildly tease Pat but yet defend and comfort her when others are teasing
her.
Howard – Adam DeVine
As seen in the movie Pitch
Perfect, Adam can play the role of the “jerk” like Howard pretty well. He does
it with humor so the audience gets a sense of lightness, which makes one feel
uneasy.
Bill – Jordan Breckenridge
Jordan would be a good sidekick to Adam because he can also play
the guy with two sides: seemingly sincere and honest but actually a trickster.
Frank – Blake Tierney
Blake could play Frank well because he is sweet and
goofy/dorky and likes to bring everybody together, which is Frank’s underlying
goal.
Tuesday, May 28, 2013
Icarus's Mother Light Cues
| # | PAGE | EXECUTION | TIME | FUNCTION | |||
| LQ1 | 30 | 5 BEFORE HOUSE OPENS | :05 | PRESET | |||
| HH | 30 | HOUSE IN | :05 | HOUSE LIGHTS TO HALF | |||
| HO & LQ2 | 30 | HOUSE AT HALF | :05 | HOUSE AND PRESET OUT | |||
| :07 | |||||||
| LQ3 | 45 | "And we'll stay and wait for it to get dark." | :05 | FADE LIGHTS | |||
| LQ4 | 48 | JILL AND PAT EXIT | :05 | CHANGE CYC | |||
| LQ5 | 57 | "If only the weather and the atmospheric conditions had been better than they were it would have beaten the Hindenburg by far more than it did." | :05 | CHANGE CYC AND DIM LIGHTS | |||
| LQ6 | 57 | "What a light!" | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ7 | 57 | "And to come to a standstill." | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ8 | 58 | "And it pulls your head straight up off your shoulders in a straight line with the parallel lines of each leg and so each tendon leading to your jawbone strains to its utmost." | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ9 | 58 | "Going beyond itself with the pilot screaming and the clouds breaking up." | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ10 | 59 | "Going on and on till the community comes out to see for itself." | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ11 | 59 | "And their mothers hold their fathers with their mouths open and the light pouring in and their cats running for cover." | :03 | FLASH ORANGE, BLUE, THEN YELLOW LIGHTS | |||
| LQ12 | 60 | HOWARD AND BILL HOLD HANDS | :05 | CHANGE OVERALL WASH TO RED | |||
| LQ13 | 60 | JILL EXITS | :08 | DIM LIGHTS | |||
| LQ14 | 60 | CURTAIN CALL | :05 | LIGHTS AT FULL | |||
| LQ15 | 60 | AUDIENCE EXITS | :05 | HOUSE AT FULL | |||
Tuesday, May 14, 2013
Tuesday, March 12, 2013
Costume Plot for Romeo and Juliet
| Title: Romeo and Juliet by William Shakespeare | ||||||||||||||||||||||||
| Setting: | Location: Verona: Matua | |||||||||||||||||||||||
| Date: Italian Renaissance | ||||||||||||||||||||||||
| ACT | 1 | 2 | 3 | 4 | 5 | |||||||||||||||||||
| Scene | 1 | 2 | 3 | 4 | 5 | 1 | 2 | 3 | 4 | 5 | 6 | 1 | 2 | 3 | 4 | 5 | 1 | 2 | 3 | 4 | 5 | 1 | 2 | 3 |
| Character | Red camecia, white hose, sandals | |||||||||||||||||||||||
| Samson | ||||||||||||||||||||||||
| Character | Red camecia, white hose, sandals | |||||||||||||||||||||||
| Gregory | ||||||||||||||||||||||||
| Character | Blue camecia, white hose, sandals | |||||||||||||||||||||||
| Abraham | ||||||||||||||||||||||||
| Character | Blue camecia, white hose, sandals | Robe, shirt with long, tight sleeves, hose, sandals | Robe, shirt with long, tight sleeves, hose, sandals | |||||||||||||||||||||
| Balthasar | ||||||||||||||||||||||||
| Character | White linen tunic, blue doublet, hose, boots | Tunic, doublet, hose, boots | Tunic, doublet, hose, boots | Tunic, doublet, hose, boots | ||||||||||||||||||||
| Benvolio | ||||||||||||||||||||||||
| Character | Tunic, doublet, hose, boots | Tunic, doublet, hose, boots | Tunic, doublet, hose, boots | |||||||||||||||||||||
| Tybalt | ||||||||||||||||||||||||
| Character | Regular male/female attire | Regular male/female attire | ||||||||||||||||||||||
| Citizens | ||||||||||||||||||||||||
| Character | Red gown, brown shoes | Red gown, brown shoes | Red gown, brown shoes | Red gown, brown shoes | Red gown, brown shoes | Red gown, brown shoes | Red gown, brown shoes | |||||||||||||||||
| Capulet | ||||||||||||||||||||||||
| Character | Gold and red dress, gold dress slippers and headdress | Gold and red dress, gold dress slippers and headdress | Gold and red dress, gold dress slippers and headdress | Gold and red dress, gold dress slippers and headdress | Gold and red dress, gold dress slippers and headdress | Gold and red dress, gold dress slippers and headdress | ||||||||||||||||||
| Lady Capulet | ||||||||||||||||||||||||
| Character | Gown, shoes/sandals | Gown, shoes/sandals | Gown, shoes/sandals | |||||||||||||||||||||
| Montague | ||||||||||||||||||||||||
| Character | Dress, dress slippers, headdress | Dress, dress slippers, headdress | Dress, dress slippers, headdress | |||||||||||||||||||||
| Lady Montague | ||||||||||||||||||||||||
| Character | Camecia, doublet, jacket, hose, shoes, hat | Camecia, doublet, jacket, hose, shoes, hat | Camecia, doublet, jacket, hose, shoes, hat | |||||||||||||||||||||
| Prince | ||||||||||||||||||||||||
| Character | White linen tunic, blue silk brocade doublet, white knitted hose, brown boots | White linen tunic, blue silk brocade doublet, white knitted hose, brown boots | White linen tunic, blue silk brocade doublet, white knitted hose, brown boots | White linen tunic, blue silk brocade doublet, white knitted hose, brown boots | White linen tunic, blue silk brocade doublet, white knitted hose, black boots | White linen tunic, blue silk brocade doublet, white knitted hose, black boots | White linen tunic, blue silk brocade doublet, white knitted hose, black boots | |||||||||||||||||
| Romeo | ||||||||||||||||||||||||
| Character | Doublet, shirt, boots, hose | Doublet, shirt, boots, hose | Doublet, shirt, boots, hose | Doublet, shirt, boots, hose | Doublet, shirt, boots, hose | |||||||||||||||||||
| Paris | ||||||||||||||||||||||||
| Character | Tunic, hose, sandals | Tunic, hose, sandals | ||||||||||||||||||||||
| Servant | ||||||||||||||||||||||||
| Character | Dress, apron, socks, shoes | Dress, apron, socks, shoes | Dress, apron, socks, shoes | Dress, apron, socks, shoes | Dress, apron, socks, shoes | |||||||||||||||||||
| Nurse | ||||||||||||||||||||||||
| Character | Red and gold dress, gold dress slippers, crescent headdress | Red and gold dress, gold dress slippers, crescent headdress | Red nightgown and white slippers | Red and gold dress, gold dress slippers, crescent headdress | Red nightgown and white slippers | Red and gold dress, gold dress slippers, crescent headdress | Red and gold dress, gold dress slippers, crescent headdress | |||||||||||||||||
| Juliet | ||||||||||||||||||||||||
| Character | Tunic, tights/tight pants, boots | Tunic, tights/tight pants, boots | ||||||||||||||||||||||
| Mercutio | ||||||||||||||||||||||||
| Character | Regular attire | Regular attire | ||||||||||||||||||||||
| Guests | ||||||||||||||||||||||||
| Character | Regular attire, masks | |||||||||||||||||||||||
| Maskers | ||||||||||||||||||||||||
| Character | Regular attire | |||||||||||||||||||||||
| Torch-bearers | ||||||||||||||||||||||||
| Character | Tunic, long shorts, boot socks, boots | Tunic, long shorts, boot socks, boots | ||||||||||||||||||||||
| Musicians | ||||||||||||||||||||||||
| Character | Tunic, hose, sandals | Tunic, hose, sandals | ||||||||||||||||||||||
| Servingmen | ||||||||||||||||||||||||
| Character | Regular attire for elderly | |||||||||||||||||||||||
| Chorus | ||||||||||||||||||||||||
| Character | Cloak, rope, sandals | Cloak, rope, sandals | Cloak, rope, sandals | Cloak, rope, sandals | Cloak, rope, sandals | Cloak, rope, sandals | ||||||||||||||||||
| Friar Laurence | ||||||||||||||||||||||||
| Character | Tunic, hose, sandals | Red camecia, white hose, sandals | Red camecia, white hose, sandals | |||||||||||||||||||||
| Peter | ||||||||||||||||||||||||
| Character | Tunic, hose, sandals | Tunic, hose, sandals | ||||||||||||||||||||||
| Mercutio or Paris' Page | ||||||||||||||||||||||||
| Character | Cloak, shirt, hose, sandals | |||||||||||||||||||||||
| Apothecary | ||||||||||||||||||||||||
| Character | Cloak, rope, sandals | |||||||||||||||||||||||
| Friar John | ||||||||||||||||||||||||
| Character | Uniform, shoes, socks | |||||||||||||||||||||||
| Watchmen | ||||||||||||||||||||||||
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